Sometimes I’ll have sections that I’m not quite sure how they fit in the puzzle of a tune, they’ll get moved around; what I think was originally a verse ends up becoming the chorus, or what’s an intro gets dropped as a hook, things get shifted around a lot. Feelings aroused by the touch of someone’s hand, the sound of music, the smell of a flower, a beautiful sunset, a work of art, love, laughter, hope and faith – all work on both the unconscious and the conscious aspects of the self, and they have physiological consequences as well.
Inspiration comes from so many sources. Music, other fiction, the non-fiction I read, TV shows, films, news reports, people I know, stories I hear, misheard words or lyrics, dreams… Motivation? The memory of the rush I get from a really good writing session – even on a bad day, I know I’ll find that again if I keep going.
I think music is so diverse today, and bands are so diverse. If you were a rock band in the Eighties, you kind of had to stick to one thing. Now, in this age of Coachella and European festivals and stuff, it’s kind of anything goes, so that allowed us to try different things.
When you make music, you’re forming these invisible vibrations in the air into different shapes and consistencies and speeds in order to create music, and understanding how the math of that works just gives you more colors to paint with, and allows you to get to what you want quicker.
Sometimes I’ll have sections that I’m not quite sure how they fit in the puzzle of a tune, they’ll get moved around; what I think was originally a verse ends up becoming the chorus, or what’s an intro gets dropped as a hook, things get shifted around a lot. Feelings aroused by the touch of someone’s hand, the sound of music, the smell of a flower, a beautiful sunset, a work of art, love, laughter, hope and faith – all work on both the unconscious and the conscious aspects of the self, and they have physiological consequences as well.
Johann S. Bach Goldberg Variationen BWV 988
Wolfgang A. Mozart – Johann S. Bach
• Prélude und Fugue
Jesús María Muneta (geb. 1939)
• Ginsburg Trio (Uraufführung)
Hyeokchun Gwon (Violine)
Daniel Ibáñez García (Viola)
German Prentki (Cello)
capella cantabilis | Tango Ensemble | Tänzer
Leitung: Ute Debus
Was wäre aus dem Tango ohne Astor Piazzolla geworden? Die Bedeutung des argentinischen Komponisten für Entwicklung und Popularität des lateinamerikanischen Tanzes kann kaum überschätzt werden. Er filterte die Essenz des Tango heraus und formte in seinen Kompositionen die perfekte Symbiose aus traditionellen Elementen, Jazz und klassischer Musik. Zum 100. Geburtstag des Meisters soll seine Musik gebührend in Szene gesetzt werden: instrumental, vokal und getanzt!
Konzerte von 12. bis 20. März